Sunday, March 23, 2014

Mark 6:45-51: How to Walk on the Water in Life

Mark 6:45-51: How to Walk on the Water in Life
            Many are familiar with the story of Christ walking on the water. Although we may not walk on water literally, we are forced to walk on the water in life on a daily basis. Storms will come our way, but we can walk on the water with Christ. From Mark 6:45-51, there are a few things we must see and do if we want to walk on the water in life.
Mark 6:45-51

English Standard Version (ESV)

Jesus Walks on the Water

45 Immediately he made his disciples get into the boat and go before him to the other side, to Bethsaida, while he dismissed the crowd. 46 And after he had taken leave of them, he went up on the mountain to pray. 47 And when evening came, the boat was out on the sea, and he was alone on the land. 48 And he saw that they were making headway painfully, for the wind was against them. And about the fourth watch of the night[a] he came to them, walking on the sea. He meant to pass by them, 49 but when they saw him walking on the sea they thought it was a ghost, and cried out, 50 for they all saw him and were terrified. But immediately he spoke to them and said, “Take heart; it is I.Do not be afraid.” 51 And he got into the boat with them, and the wind ceased. And they were utterly astounded,

We Must Obey (v. 45)
            Scripture says that Jesus made his disciples get out of the boat and go to the other side, forced it in a sense. Just as the disciples obeyed Christ, if we want to walk on the water in life, we must also obey Christ.
We Must Pray (v. 46)
            This might be the most obvious fact of this passage, but if Jesus prayed, how much more should we pray? If we want to walk on the water in life, we are to pray.
We Cannot Be Afraid (vv. 47-50)
            The Lord commands his people in scripture to not be afraid many times. The only one we should fear is God himself because he is the only one worthy of our fear. To give our fear to anything or anyone else is to make that object an idol. If we want to walk on the water in life, we cannot be afraid.
We Must Be Amazed by and Worship Christ (v. 51)

            Worship is key to walking on the water in life. We cannot worship him unless we are first amazed by him, which requires his revelation. God has revealed himself to his children. Therefore, we can indeed walk on the water in life if we worship him.

Sunday, March 16, 2014

John 3:1-17: Seeing the Kingdom of God

John 3:1-17: Seeing the Kingdom of God
            Jesus speaks often of the kingdom of God. It can actually be a confusing topic of discussion, but this is because only those who are in the kingdom of God can understand it and its purpose. In response to Nicodemus’ question, Jesus tells how one can see the kingdom of God in John 3. Furthermore, the fact that anyone at all is able to see the kingdom of God is amazing in and of itself, and this is only possible because of the love of God.
John 3:1-17

English Standard Version (ESV)

You Must Be Born Again

3 Now there was a man of the Pharisees named Nicodemus, a ruler of the Jews. 2 This man came to Jesus[a] by night and said to him, “Rabbi, we know that you are a teacher come from God, for no one can do these signs that you do unless God is with him.” 3 Jesus answered him, “Truly, truly, I say to you, unless one is born again[b] he cannot see the kingdom of God.” 4 Nicodemus said to him, “How can a man be born when he is old? Can he enter a second time into his mother's womb and be born?”5 Jesus answered, “Truly, truly, I say to you, unless one is born of water and the Spirit, he cannot enter the kingdom of God. 6 That which is born of the flesh is flesh, and that which is born of the Spirit is spirit.[c] 7 Do not marvel that I said to you, ‘You[d] must be born again.’ 8 The wind[e] blowswhere it wishes, and you hear its sound, but you do not know where it comes from or where it goes. So it is with everyone who is born of the Spirit.”

9 Nicodemus said to him, “How can these things be?” 10 Jesus answered him, “Are you the teacher of Israel and yet you do not understand these things? 11 Truly, truly, I say to you, we speak of what we know, and bear witness to what we have seen, but you[f] do not receive our testimony. 12 If I have told you earthly things and you do not believe, how can you believe if I tell you heavenly things?13 No one has ascended into heaven except he who descended from heaven, the Son of Man.[g] 14 Andas Moses lifted up the serpent in the wilderness, so must the Son of Man be lifted up, 15 that whoever believes in him may have eternal life.[h]

For God So Loved the World

16 “For God so loved the world,[i] that he gave his only Son, that whoever believes in him should not perish but have eternal life. 17 For God did not send his Son into the world to condemn the world, but in order that the world might be saved through him.

We Only See the Kingdom of God if We Are Born from Above (vv. 1-15)
            Jesus responds to Nicodemus by saying that the only way to see and understand the kingdom of God in all of its glory is by being born again. The term, again, in verse 3 is purposely ambiguous because it can also mean from above in Greek. Only those who are born of only in the flesh but are also born from God above will see and understand the kingdom of God. Jesus makes it quite clear when he says, “You must be born again,” in verse 7. The Greek word, you, in verse 7 is plural meaning that Jesus is speaking to us all. To understand the things of God, we must first be born of him.
We Are Only Able to See the Kingdom of God because of the Love of God (vv. 16-17)

            The fact that anyone is even able to see and understand the kingdom of God is amazing in and of itself. Without the love of God, it would not be possible, but it is because of Christ’s sacrifice on the cross that we are able to not only see and understand his kingdom but also to be a part of it.

Sunday, March 9, 2014

Romans 5:12-19: Death through Adam and Life through Christ

Romans 5:12-19: Death through Adam and Life through Christ
            There are two points to take note of from the following scripture.
Romans 5:12-19

English Standard Version (ESV)

Death in Adam, Life in Christ

12 Therefore, just as sin came into the world through one man, and death through sin, and so death spread to all men[a] because all sinned— 13 for sin indeed was in the world before the law was given, but sin is not counted where there is no law. 14 Yet death reigned from Adam to Moses, even over those whose sinning was not like the transgression of Adam, who was a type of the one who was to come.

15 But the free gift is not like the trespass. For if many died through one man's trespass, much more have the grace of God and the free gift by the grace of that one man Jesus Christ abounded for many.16 And the free gift is not like the result of that one man's sin. For the judgment following one trespass brought condemnation, but the free gift following many trespasses brought justification.17 For if, because of one man's trespass, death reigned through that one man, much more will those who receive the abundance of grace and the free gift of righteousness reign in life through the one man Jesus Christ.

18 Therefore, as one trespass[b] led to condemnation for all men, so one act of righteousness[c] leads to justification and life for all men. 19 For as by the one man's disobedience the many were made sinners, so by the one man's obedience the many will be made righteous.

All Have Sinned and Are in Need of Christ (vv. 12-14)
            Just as Adam sinned, we also have sinned, and it is because of that very fact that we are in need of Christ. We are creatures of the fall, and without Christ, everything is hopeless.
God’s Gift Is Available because of the Sacrifice of Christ (vv. 15-19)

            There is hope though because Christ died and rose again. Just as one act of sin through Adam led to the sin of all men, one act of compassion through Christ’s death and resurrection leads to the salvation of men. It is a gift we should not take for granted.

Monday, November 25, 2013

The Effects of Music on Speech Disorders

The Effects of Music on Speech Disorders
A relatively new field, it has often been questioned why music affects those with speech disorders, particularly those who stutter. Recent examples of this include American Idol contestant, Larazo Arbos. Speech pathologists say there is not yet a scientifically proven answer to the question, but there are likely a number of physiologic, genetic, environmental and social variables that play a role. One plausible explanation, said Krzysztof Izdebski, chairman of the Pacific Voice and Speech Foundation in San Francisco, is that singing relies mostly on memory. “When you speak, on the other hand, it’s more of a voluntary activity. There’s planning, thinking, reaction, et cetera. Singing requires different mechanisms,” he said. People who stutter may be unable to coordinate all the movements and processes involved in speech, he explained. “The more automatic the speech is, the less someone is likely to stutter,” added Karin Wexler, an adjunct associate professor of speech and language pathology at Columbia University’s Teachers College in New York.  The same goes for reciting a poem.  There’s no real communication involved. One might wonder is singing could be used as a normal form of communication for those who stutter if it indeed helps so much. According to the Stuttering Project at the University of Iowa, however, while people who stutter may be able to sing stutter-free, singing will rarely produce long-term fluency. Speaking also requires the voice box to work a lot more because there is repeated starting and stopping, unlike singing, which is a more continuous flow. “Getting the voice started can be a problem for someone who stutters,” she said.
The phenomenon could also be due to the differences in brain activity elicited by singing and speaking. Each is associated with a different part of the brain, and perhaps the musical signals get routed differently. It is not just stammering that gets lost when people sing. Accents tend to disappear as well. Singing is rarely spontaneous, and people learn a song and will sing it as they heard it. In fact, speaking with a different accent actually seems to help some stutterers. “If they are speaking in a different way from their ordinary way of speaking, they may become more fluent.”[1]
Music and Speech Areas of the Brain
Indeed the effects of music on speech disorders, particularly stuttering, is an amazing topic that presents very little research because it is a relatively new field of study. The research that has been produces, however, reveals that music, in fact, has a significant effect on people with such disorders. The most common thought among researchers is that words bypass the part of the brain related to speech, the frontal lobe, and moves immediately to the part of the brain related to music, particularly rhythm, the cerebellum. The following image reveals these parts of the brain:
The cerebellum can be seen in a completely different area of the brain than the frontal lobe, which is also a part of the cerebrum. The cerebellum is located at the back of the head, below the cerebrum. The National Institute of Neurological Disorders and Stroke explains that this organ is the second largest in the brain and is a vital control center for reflex actions, balance, rhythm and coordinating skeletal muscle movement.[2] The cerebellum helps to create smooth, flowing and integrated movements when hearing or playing music. It works in harmony with other parts of the brain to affect rhythmic movement in the body when moving in response to the music. The cerebellum allows a performer to move the body in accordance to reading or visualizing music when playing a musical instrument, as described by the Center for Neuroskills.[3] Researchers have revealed that the cognitive process of presenting words in one who stutters allows that the functions are carried out through the cerebellum rather than the frontal lobe when singing, particularly attributed to the effects of rhythm.
Singing
            Research has shown that music-making, singing in particular, has a dramatic effect on those who speech disorders. It is often used, in fact, as a therapeutic tool to aid in the rehabilitative process for those who have developed such a disorder from accidents or health issues such as a stroke. “Singing can serve as a valuable tool because it is a universal form of musical expression that is as natural as speaking.”[4] The common problem among those who stutter is the absence of finer tongue control. Classical vocal music training helps to coordinate the vocal chords and work on fine tongue control. Singing engages and auditory-motor feedback loop in the brain more intensely than other music making activities such as instrumental playing. From a developmental perspective, babies produce vocalizations that may be regarded as precursors for music and speech intonation, and by kindergarten age, children can sing a fairly large repertoire of songs with their performance level being similar to that of adults. Furthermore, some children even exhibit intermediate vocalizations, a type of vocal behavior that lies at the boundary between speech and song.[5] Recent research gives evidence that the therapeutic effects of singing modify the speech motor symptoms of several neurological disorders.
            The following example clearly presents brain differences in those with singing experience and those without. 
According to the image, the professional singer (b) has a more connected right and left arcuate fasciculus (AF) than the healthy nonmusician (a). In the same manner, although the left AF is absent because of a hemispheric stroke, the results of intensive melodic intonation therapy on a patient with Broca’s aphasia is evident. The right AF appears larger after therapy.
            Singing, or the act of producing musical sounds with the voice, has the potential to treat speech abnormalities because it directly stimulates the muscles associated with respiration, phonation, articulation, and resonance. Research has shown that intensive singing practice can lead to long-lasting changes in both the cardio-vascular and pulmonary systems.
Recent research is clear in the results: singing can and does have a drastic positive effect on those with neurological disorders. With this research being relatively new to the field, the challenges are great, but so potential for profound conclusions.
University of Toronto Study
            A recent study at the University of Toronto clearly reveals that music indeed has a significant effect on stuttering. The participants included 22 children (14 boys and 8 girls) studying in various schools from the ages of 7-13. All of the children had problems with stuttering. The causes of stuttering varied in the participants of the study. For some, it was emotional disturbance; for some, it was lack of freedom in expression; for some, it was inadequate vocabulary; and for some, it was having bilingual parents. It is typically thought that the speech issues in stuttering may be related to the lack of coordination of certain muscles implying that the problem is related to finer control of the tongue. As mentioned earlier, classical vocal music training helps correct this problem. In this particular study, basic vocal exercises were used (pairs, triple syllables with twist and speed, etc.). In the study, the music used was selected on the basis of the following:
1.      Easy to recite
2.      Does not require intricate knowledge of music
3.      Simple to follow
4.      Easy to train oneself

Simple reading passages were also chosen.

Findings and Conclusions
            The general positive effect of music therapy was evident in all of the participants. In the course of the study, the problem of stuttering was reduced gradually over the weeks on account of exposure to music therapy. There was also a corresponding increase in the fluency of reading among children with speech fluency as the therapy progressed over the weeks. Four boys and seven girls showed improvement in reading fluency and speech fluency. For most participants, stuttering began significantly decreasing from the fourth week of the study onward. However, for one girl, stuttering disappeared on the tenth day of the study, and reading fluency improved gradually. Except for two children, speech fluency increased from the seventh week. These two children, however, gained fluency by the ninth week but also needed further exposure to therapy sessions, suggesting that there are individual differences with regard to the improvement gained as a result of music therapy. All of these results reveal that music indeed has a profound positive effect on those who stutter.
Conclusion
                Although this field of study is relatively new, it is quite conclusive in its findings. Music has a significant effect on those with speech disorders. The potential for significant findings is great. Questions arise as to why music affects those with speech disorders in such a positive manner, leaving room for more research and more significant findings.


[1] Body Odd, “Why “Idol” Contestant’s Stutter Goes Away When He Sings,” NBC News, January 23, 2013, accessed November 13, 2013, http://www.nbcnews.com/health/why-idol-contestants-stutter-goes-away-when-he-sings-1C8086160.
[2] Noreen Kassem, “What Parts of the Brain Are Stimulated by Music,” Livestrong, accessed November 13, 2013, http://www.livestrong.com/article/175434-what-parts-of-the-brain-are-stimulated-by-music/.
[3] Ibid.
[4] Catherine Y. Wan, Theodor Rüber, Anja Hohmann, and Gottfried Schlaug, “The Therapeutic Effects of Singing in Neurological Disorders, Music Perception: An Interdisciplinary Journal, Vol. 27, No. 4 (April 2010): 287, accessed November 13, 2013.
[5] Ibid.

Saturday, November 23, 2013

Tipping: It's the Right Thing to Do

Having worked in restaurants, something has bothered me lately, and that is the skimpy tipping of those who claim to be Christians. I’ve worked as a delivery driver, which, believe it or not, is supposedly a tipped position. My experience, however, has been that when I have delivered to someone with a scripture posted on their house, the tip is usually absent or very little. It is indeed a sad situation. I know many people in the restaurant business, and it is always Sundays that are dreaded the most. It is the worst day for tips and yet the most hectic. Why is this? This should not be. How can people be stingy with their money when God has been so generous to them? A good tip does not have to be 50%, but in today’s standards, leave at least 20%. Personally I would even say leave at least 25%. For delivery drivers, leave at least $5, and on a large order over $100, leave at least 20%. Let those who profess to know Christ take a stand, be different, and leave good tips to people of service. It is the right thing to do.

Monday, October 21, 2013

Chick Flicks: Porn for Women?

Interesting read, and I agree: http://www.xxxchurch.com/women/chick-flicks-porn-for-women-who-may-not-watch-porn.html

Thoughts on Webber's Idea that Worship Does God's Story

Thoughts on Webber’s Idea that Worship Does God’s Story
            I am currently reading Ancient-Future Worship by Dr. Robert E Webber who has passed away but whose legacy still lives on. This book, part of the Ancient-Future series of books he has written, has been life-changing for many people, particularly worship leaders in our modern culture who struggle with presenting biblical worship to their congregations but also desire to see a fresh movement of God in that worship. In the first chapter, Webber introduces the idea of God’s story. He says that “worship does God’s story,” meaning that worship should present a narrative of God’s biblical story with man, a story of the fall of man, the redeeming grace of God, and the reconciliation of God’s people to himself. This story must be present in each event of corporate worship.
            I struggle, as a musician, with how to incorporate this narrative through the music in the church. The fact is that much of our modern church music neglects to present the story in its fullness. Often, however, an over-emphasis is given to one part of the story, whether it is God’s grace, the fall of man, or even reconciliation. All three must be present in order to present the full story of God and his work among his people. We must remember all three aspects of God’s story to present this narrative accurately in worship. Without remember our fall, we cannot fully be thankful for his grace; without remember his grace, the fall makes our very existence seem hopeless; and without reconciliation, things are indeed hopeless.

            The full story of God must be present in worship. We must not neglect to remember where we have come from in worship but also see where we are going. When we keep this in mind, freshness is always the result; worship will not lose its fresh perspective; and God will be honored.