Sunday, April 22, 2018

SHOULD WE USE THE MUSIC OF UNGODLY COMPOSERS?


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SHOULD WE USE THE MUSIC OF UNGODLY COMPOSERS?



            Throughout my ministry, I have had some form of the following question: is it okay to use the music of ungodly composers and song-writers in your ministry? This question could certainly be asked of other Christian artists and creators such as authors and preachers. The question is likely not derived from thoughts of their work but rather their lives. In my experience, it has been asked out of a genuine concern for God’s people and how using such people’s work will impact the local church. Years ago, a prominent Christian musician to which I grew up listening professed his own homosexuality while I was serving in a local church fellowship; I am still asked questions about whether it is wrong or right to use his music. While I openly admit that his decision has had drastic negative effects on professing Christians, we should assess whether using his music is still acceptable.


Although we should test and measure everything we allow into our lives, I would like to examine how to respond to the music of ungodly composers, song-writers, and hymn-writers. I firmly believe that it is acceptable and even good to use the music of anyone, irrespective of the composer’s lifestyle, if the music is created within the bounds of certain parameters, namely correct theology. Regarding this topic then, I have four thoughts concerning the church’s use of ungodly composers’ music.



God Can Use Anyone and Anything He Desires


            In Numbers 22, God uses Balaam’s donkey to speak. God has used unworthy people throughout the history of the church. In a world that seeks to be ahead of everyone else, it can be easy to forget that everything good comes from God, i.e. our gifts and talents matter not. With God himself as the foundation of the church, it is not uncommon for the Lord to use people who are unworthy and even seemingly despicable. Therefore, God can and does assuredly use sinners for his glory, no matter the degree of their sin. If God inspires song-writers to produce music that glorifies him greatly but their lives contradict the authority of Scripture, is the truth in their message of music revoked? The message in song is still objective truth. To be objective means that nothing can affect its component of truth, including the messenger. As God’s people, if we believe that one’s lifestyle affects the truth of their message, we practically make that person an idol by elevating the person above the God who gives them the message. God can use the music of anyone he pleases. Since we are imperfect people, song-writers are bound to make mistakes, some greater than others, though the Lord surely still uses the message.



The Power of the Gospel Is in Its Message, Not Its Messenger


            Rather than the artist, we should focus on the message of the music we sing and to which we listen. The message in gospel music is the same message that was preached by Paul and the Apostles. Just as God uses the foolishness of preaching (1 Cor 1:21), so he also uses the foolishness of song-writing. Our talents and abilities save no one; only the righteous power of God through the Holy Spirit saves. This is evident when God uses a preacher’s horrid sermon to bring lost souls to know him. In such a case, it was not the messenger who saved people; it was God himself. The message then is far more vital than the messenger.



No One Is Perfect; This Is Nothing New


            We must be conduits of God’s grace with the perpetual realization that no one is perfect and no one has ever been perfect. In a digital and technological age, we seem to know too much about people. Theologians and hymn-writers of the past often lived lives that would make people blush today. We should be people of grace and understand that everyone needs God’s grace. If the tool used to present the gospel message, namely music, is true, does the composer’s lifestyle change the message? It does not; yet, the church often wants to immediately purge herself of anything good which God has given through the artist. I fear that the truth is we try to protect our reputation by distancing ourselves from those who have fallen. If that is the case, we sin by judging rather than mercifully restoring the one who has fallen. Do not hear what I am not saying; I am not saying to hire every musician who lives an ungodly lifestyle. In fact, discipline is necessary in such a person’s life. Nonetheless, we should understand our own need for mercy just as much as anyone else. There is still truth and value in their music.



If the Lord Used a Sinful Messenger to Bring You to Salvation, Does that Negate His Saving Work in Your Life?



            Finally, I would like to ask a rhetorical question. If the Lord used a sinful messenger to bring you to salvation, does that negate his saving work in your life? The obvious answer is no; yet, we do not live as if that is true. Perhaps you can recall a minister in your life who eventually fell into the traps of sin. If you came to know Christ under such a person’s ministry, do their mistakes revoke or cancel your salvation experience? If God has truly saved you, you are his no matter how you came to know him. The sinfulness of the messenger then does not affect the power of the message.



Exercise Wisdom


            In all of this, a worship leader should exercise wisdom in using the music of ungodly people. I do not advocate using it or not using it. Nonetheless, the message of music is still used by God. It could be that no one in a local church knows nothing of an artist’s sinful lifestyle. Making these decisions is contextual. It might work in one context but not in another. We should be wise in selecting the music we employ in our churches, though do not decide solely based on one’s lifestyle. God is sovereign. Ultimately, our best is nothing but filthy rags. Even in musical leadership, God uses humankind’s foolishness. If the message is true, why not use the composition? The composer’s lifestyle does not impact the truth of the message; nor is using such a person’s music promoting their lifestyle. We must preach gospel truth always, whether directly or indirectly in the music we choose. Exercise wisdom, but let me encourage you also not to throw out the wonderful artistic expressions of composers who perhaps live ungodly lives. Pray for them and help them if you have the opportunity, but also realize that their work is from God, not themselves.