Sunday, September 16, 2018

IS IT OKAY TO USE SECULAR MUSIC IN CORPORATE WORSHIP

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IS IT OKAY TO USE SECULAR MUSIC IN CORPORATE WORSHIP?

            A few years ago, a prominent church in the United States came under controversy for beginning their weekly worship gathering with a secular song. The scrutiny was not as much because the song was secular but because of its questionable lyrics, which include, “Baby, you turn me on.” Like many of you, growing up, it became clear to me that secular music should be used in the context of corporate worship. I have laxed on that stance since then; yet, I still draw the line at God’s glory. We should always remember that all we do is to be for the glory of God. With that said, it is certainly possible to glorify God and listen to or perform secular music. I would, however, like to focus on the music we utilize in our corporate worship gatherings.

            Is it okay to use secular music in corporate worship? The underpinning question (I think) is this: for whose glory is worship designed? Throughout church history, there has existed a fine line between the use of secular and solely sacred elements in music, e.g. secular tunes were often parodied and set in corporate worship contexts in the Reformation and post-Reformation eras. In fact, many hymns in our various denominational hymnals employ tunes that were once considered secular. Many congregants likely do not know that now because the tunes have been familiarized in sacred worship for so long. The church shares a rich history of employing secular mediums in worship. Recently I recorded an entire podcast on art in worship and discussed the fact that there is no sacred and secular divide except what humanity has created, i.e. God created music and art for his glory so any artform that does not glorify him has been distorted.

            How then do we, as worship leaders, approach the use of secular music in corporate worship? Is it okay? Is it not okay? I would like to answer these questions as best as possible by discussing three unique aspects to this conversation. Thinking through these three imperatives will help us determine what is okay to use in corporate worship.

Using Music from outside Ecclesiastical Contexts Is Not New

            I have already mentioned this: using music from outside sacred contexts is nothing new. Even prior to the Reformation, composers parodied and paraphrased other composers’ music. In fact, Renaissance composers often set entire mass ordinary texts to unoriginal music. In the Reformation era, this trend continued by setting hymn texts not only to original hymn tunes but also to secular tunes that would have been familiar to the public.[1]

            Moreover, the Reformers employed secular tunes but not secular texts. If one chooses to use the Reformation as a model for worship, it cannot be argued that secular texts were the norm; they most certainly were not. Even the famed Lutheran composer, J.S. Bach declared, “All music should have no other end and aim than the glory of God and the soul’s refreshment; where this is not remembered there is no real music but only a devilish hubbub.”[2] I believe there is a God-ordained reason that only the texts of the Psalms remain rather than the music also: the text is derived from God’s holy word while the music is not. Therefore, if one were to ask me if employing secular music is okay, I would respond with a twofold answer. Yes, music is okay; nevertheless, worship leaders should be careful not to use text that does not point people to Jesus.

If Tunes Are Okay, What about Text?

            The gap exists not between secular and sacred music but rather between sacred and secular texts. As already mentioned, God’s intent for all artforms is not a sacred and secular divide, but humanity has distorted what was created to be good. Practically then, there absolutely is a sacred and secular divide. Therefore, I do not buy the argument that we live in a Utopian society where absolute righteousness exists; in fact, Scripture is clear that we are evil by nature. While music does not necessarily suggest a message, theology, or thought, text certainly does. Not all secular texts are morally bad and can, in fact, be used to glorify God. Nevertheless, some are, which is why worship leaders should be careful to think about the music used in corporate worship.

            If the sole purpose of worship is the glory of God, why would we ever have a desire to use anything that declares something else? I do not mean that you cannot glorify God by listening to (or performing for musicians) secular music (including text); yet, in corporate worship, there are absolutely elements that never belong. I would even argue that patriotic elements do not belong in weekly worship gatherings of the local church, though that is another issue. Secular texts that do not point directly to the glory of God do not belong in corporate worship. Furthermore, it should be apparent that songs which blatantly go against God’s character do not belong in corporate worship, i.e. songs that say, “Baby you turn me on,” but sadly, it seems that this is perhaps not as apparent as it should be. Worship leaders should be more careful with text than with music.

Worship Is Not for the Lost

            My final thought on this issue is one that resonates throughout my theology, belief, and teaching: worship is not designed for lost people. To some, this statement may seem harsh; yet, a lost person has no capability to worship God. Scripture is clear that they are dead in their sin (Eph 2:1), as we all once were. I do not intend to veer off course here, but should we even spend our time inviting lost people to our worship gatherings? Notice I did not say church because the church is the people of God, not a place people go. I suggest that we should not invite lost people to our weekly worship gatherings as much as we do. I do not mean to never do it; the purpose of corporate worship, however, is not reaching the lost. Certainly, there are evangelistic aspects to worship and when the Holy Spirit’s power is present in worship, lost people come to know Christ. The problem, however, is that many Christians treat worship as primarily a time to reach people.

            The Bible says that God was provoked to anger and jealousy when his own people worshiped other gods, i.e. idols (Deut 32:16-17). Moreover, the Apostle Paul warns the Corinthians not to participate in pagan actions[3] which is participation with demons. Not to assume that nonbelievers consciously worship demons, everyone either worships God or Satan, the god of this world (2 Cor 4:4); there is nothing in between. Even those who think they worship another god, such as Buddha or Allah, worship Satan and, thus, participate with demons. Satan is good at disguising himself as other deities. It is usually unknowing; yet, when we invite a lost person into our midst for corporate worship, because such a person is totally and radically depraved apart from Christ, no figure of speech, we are inviting a worshiper of Satan into our midst. Surely, God’s power is greater; yet, we should be careful not to approach corporate worship as primarily a time to reach the lost because a lost person has no capability whatsoever to worship triune God.

            I also suggest that inviting the lost to our worship gatherings is not biblical because we are told to go (Matt 28:19-20), i.e. we are told to go to the lost rather than bring them to us. We must be mindful of these facets of our faith.

            My thoughts here are related to the music we sing in corporate worship because when we realize that worship is for the sole purpose of glorifying God, we no longer begin designing services to reach people but rather to give God a fraction of the worship he deserves through every endeavor including music. We should ask: if we are using secular music to reach people, are we really designing our worship services for worship or evangelism? To me, the answer is obvious; the sole purpose, in that case, is not to worship God.

Walk the Thin Line Carefully

            This is not an easy topic with which to deal. Likely, many will consider me too rigid or strict. I can even hear the comparisons between myself and the Pharisees in my mind. I am simply trying to be as careful as possible in my call; it is a serious task. I listen to secular music; many other ordained ministers do also. In the context of corporate worship, which is not an ordinary moment but rather a sacred moment set apart for God alone, we should think about what elements we use including music. In some contexts, perhaps the use of a secular tune or even text work to illustrate a gospel concept. Brother or sister, however, I challenge you to be careful when making those decisions. It is not the lives of lost souls at stake but rather the worship of God, which is far weightier. Consider the purpose of worship. Is it okay to use secular music in corporate worship? I am a both and person rather than an either or. It is both; nonetheless, we should be careful because the worship of God from his people should not be compromised.




[1] I should clarify, however, when people teach that Reformation era composers (such as Martin Luther) utilized bar-tunes in their worship services, it is a misunderstanding and even a mistranslation of the term, bar-tunes. What is meant by this is that metrical hymnody began to appear around this time and metered music began to see bars (or measures) in the music. It does not necessarily mean that the tunes were known primarily for being used in bars, although some of them certainly could have been.
[2] Good Reads, accessed August 24, 2018, https://www.goodreads.com/quotes/333745-all-music-should-have-no-other-end-and-aim-than.
[3] This context deals specifically with food.